Ask anyone how the postal system works and they would give a vaguely correct description. Few however would come close to describing how email, let alone a computer network itself, actually functions. With this lack of knowledge comes a risk; we lack the practical understanding to effectively read the infrastructural and political implications of our increased dependency on this technology.
In this 3-day version of the popular NETworkshop intensive, participants learn low-level networking using only command-line tools and network hardware. In doing so they not only grasp how to create and manipulate computer networks, but how they can be used to manipulate us.Read more
The workshop is an unstable network of radios and IR sensor pairs attached to plants. It is a meditation on the aesthetics of data transmission and network disruptions caused by the natural movement of plants in response to light, wind, and other natural conditions.
ASCII art data is transmitted in a loop between 12 networked devices and continuously printed out to a browser window once per iteration. A 13th device, a Raspberry Pi, pushes our ASCII data out to a public facing web page accessible to anyone with the link.Read more
Gene Kogan is an artist and a programmer who is interested in generative systems, computer science, and software for creativity and self-expression. He is a collaborator within numerous open-source software projects, and gives workshops and lectures on topics at the intersection of code and art.
The workshop will introduce participants to machine learning for artistic expression. Numerous tools exist for every creative terrain, and this workshop is open to anyone who wants to expand their creative practice: designers, illustrators, musicians, architects, journalists, filmmakers, programmers. They all can refresh their work by injecting a dose of artificial intelligence to it.Read more
Sofia Crespo works on the representation of artificial life and generative forms of life. One of her main focuses is the way organic life uses artificial mechanisms to simulate itself and to evolve. This implies the idea that technologies are a distorted product of the organic life that produced them, rather than a completely separate object. Her Neural Zoo project is research into how creativity works. Computer vision and machine learning build a bridge between us and a speculative “nature” that is only accessible through a high degree of parallel computations.Read more
Käthe Wenzel has created interfaces between the biological and the machine in her project Bone Bots. These hybrid electronic animals, robots made from animal bones, blur traditional categories of “technology” and “nature” as they are based on experiments from synthetic biology and represent semi-living machines. Wenzel’s Bone Costumes thematise the mass consumption of living beings and the daily killing of animal bodies and the standardized forms into which we try to squeeze our own bodies. The works emerged from research into historical corset techniques and in connection with modern fashion technologies; they have developed into exoskeletons: half organic and half mechanical apocalyptic outfits.Read more
So Kanno combines design and computer science with digital art and has been working extensively on robotic systems and swarm robotics in recent years. Lasermice is a swarm robotics system consisting of 60 small robots inspired by the synchronous behaviour of insects such as fireflies. Normally, a swarm’s network is invisible, but in this case, these robots create a visible network using laser-light photodetector communication. Thus, they create a rhythm, acoustically perceptible through electronic magnets, that is constantly changing. The updated version Lasermice Dyad, also follows the idea of making natural phenomena artificially visible, and features even more parameters.Read more
Since spring 2020 Art Laboratory Berlin and BioClub Tokyo have been arranging online meetings between hybrid artists and associates in our respective cities and beyond. In our 13th meeting of VIRAL CLOUD | Berlin Tokyo we are welcoming two scientists from Berlin and Tokyo exchanging ideas and approaches on art and science collaborations.
Hideo Iwasaki is a biologist and artist, director of metaPhorest (biological art/ bioaesthetics platform), Professor, Department of Electrical Engineering and Bioscience, Waseda University, Tokyo. Matthias Rillig is Professor at the Institute of Biology, Ecology of Plants, FU Berlin. They will speak about their ongoing project as well as artists in lab, and artist/scientist collaborations.
Five years since she presented the lecture-performance Mind Blind: Therapeutic Interventions for Human/NonHuman Communications for Transmediale|Vorspiel 2016, artist Sarah Hermanutz revisits the problems of social cognition in this time of isolation and multiple intersecting crises.
While previously this performance played with the discomfort and tensions of an audience’s physical presence made captive within the social conventions of an in-person lecture, in 2021 the human observers may only join remotely through Zoom.
While previously this performance played with the discomfort and tensions of an audience’s physical presence made captive within the social conventions of an in-person lecture, in 2021 the human observers may only join remotely through Zoom. Within the gallery, the artist will livestream from her unvisitable installation environment.Read more
As part of the opening of the 2016 transmediale festival of art & digital culture at Haus der Kulturen der Welt, Art Laboratory Berlin will present the performance 1000 Handshakes by and with François-Joseph Lapointe.Read more
The iGEM Berlin team (http://igem.berlin/) presents their fourth SciArt Café. Under the main theme of “Programming Life – Good Code/ Bad Code?” we will hear scientists and artists working with bioscience and afterwards discuss topics of synthetic biology.Read more
Participants of the workshop are divided in the pairs of one artist and one scientist. Each pair will receive a problem to think about, each using their own method. That is the easy part. Then they are asked to switch roles.Read more
In her performance-lecture Sarah Hermanutz draws upon methods and aesthetics of academic lectures and psychological testing/treatment to engage with the gaps and pains of cross-disciplinary knowledge transfer.Read more
With Plan Bienen the artists attempt to make real and speculative connections between two parallel crises – one within European economic systems and the other in honeybee ecologies. Considering Berlin’s development as a multicultural ‘creative’ capital…Read more
On this practical and discussion-based workshop participants will begin to learn how to work safely with bacteria as an artistic medium using commonly available supplies. They will start to develop a ‘bacteriocentric’ view of the world…Read more
This workshop, led by Howard Boland, is for artists, designers, DIY biologists, and especially lay people who wish to gain practical experience with the processes and methods in the creation of new life forms, bio-materials and new forms of expression.Read more
Biomimicry is a creative method for sustainable innovation and product design in today’s world.Read more
To open our 2014 programme Art Laboratory Berlin will be presenting three days of events on open source biology and micro-organisms organized with Rüdiger Trojok and in connection with the transmediale and CTM festivalsRead more
Events organized at and by Art Laboratory Berlin from February 2007 until December 2013Read more