The multiple award winning art and research platform Art Laboratory Berlin (ALB) presents interdisciplinary art projects in an international context. It was founded in 2006 by an international team of art historians and artists – including Regine Rapp & Christian de Lutz. Our main goal is the presentation and mediation of contemporary art at the interface of art, science and technology. In recent years, ALB has focused on the field of art, the life sciences and artistic research.

EXHIBIT | Sustainable discursive curatorial practice

It is an important aim of ALB, in the form of a close, long-term collaboration with artists, to follow the creative processes and make this visible in exhibitions, events and conferences. Instead of subordinating the artworks on exhibition to theory, we are interested in an inductive approach – that rather places the individual artistic work at the centre of inquiry. Explore the archive of our exhibitions here. Look at our series and programs here.

RESEARCH | Artistic Research & Artist-in-Residence

At all our international conferences, we have successfully brought artists and researchers from the humanities and natural sciences together in an active and sustainable dialogue. In recent years we have been successful in realising research projects between artists and scientists and in developing artist-in-residence programs, for example the Colloquium.

EDUCATE | Individual art education

A model character takes the form of art mediation, which reaches a broad international audience of different ages through different mediation formats. Highly praised in the press are not only our conferences, exhibition talks and our Reading-Lounge, but also children’s workshops and projects with pupils and students.

PUBLISH | Scholarly publications, catalogues, artist books

We have published and edited several exhibition catalogues and artist books and have written numerous theoretical contributions, such as papers, articles, catalogue chapters, essays.

Discourse | Series and Topics

  • Art & Science (2008 – present)
  • Time and Technology | Exhibitions, Talks, Conference (2011 – 12)
  • Synesthesia. A Multisensory Phenomenon | Exhibitions, Talks, Conference (2012 – 13)
  • [macro]biologies & [micro]biologies. Biosphere, Organism, Bacteria, Molecules | Group Exhibitions, Talks, Workshops, Publications (2013 – 15)
  • Nonhuman Subjectivities | Group Exhibitions, Talks, Workshops (2016 – 17)
  • Nonhuman Agents | Exhibition, Workshops, Conference (2017 – 18)
  • Mind the Fungi. Art science research project, with TU Berlin’s Institute of Biotechnology | Exhibitions, Walks, Talks, Workshops, Publication (2018 – 20)
  • CAMILLE DIARIES. New Artistic Positions on M/otherhood, Life and Care | Group Exhibition, Conference (2020)
  • DIY Hack the Panke. Art science research project | Workshops, Talks, Walks, Performances (2018 – ongoing)
  • UNDER THE VIRAL SHADOW. Networks in the Age of Technoscience and Infection | Group Exhibition, Workshops, Talks, Conference (2021)
  • Hackers, Makers, Thinkers. Collective Experiments in Social Fermenting (2022)
  • Matter of Flux | Exhibition (bio politics, body politics), 2023
  • Matter of Flux | Festival (Berlin-based international network of women/FLINTA* in art, science, and technology) 2023
  • Permeable Bodies, artistic and feminist explorations of embodiment and body identity in flux (artist workshops, talks, performances, podcast), 2023
  • Posthumanism, Hydrofeminism


The current team of Art Laboratory Berlin includes:

Regine Rapp

Co-director and curator, art historian

Regine Rapp is an art historian, curator, and co-director of Art Laboratory Berlin (ALB). She researches, teaches, curates, and publishes on 21st century art at the interface with science and technology, currently on her newest research project “Hybrid Art Histories”. As a guest professor for Art & Science she teaches and researches at the Art Academy Münster. As co-founder of Art Laboratory Berlin (2006) she has conceived, curated, and researched on more than 50 exhibition projects (Time and Technology, Synaesthesia, [macro]biologies & [micro]biologies). In 2011 parallel to the exhibition Sol LeWitt. Artist’s Books, she conceived the international Sol LeWitt Symposium at Art Laboratory Berlin. Along with Christian de Lutz she developed the international conference Synaesthesia Discussing a Phenomenon in the Arts, Humanities and (Neuro) Science (2013). The Nonhuman Subjectivities (2016/17) and Nonhuman Agents (2017/18) series of exhibitions, performances, workshops, and an international conference reflected on Art and Science in the post-anthropocentric era. Current publications: “Das Konzept ‘Nichtmenschliche Subjektivitäten’. Aktuelle künstlerische Praktiken im Posthumanismus” (Berlin: Reimer 2019); Mind the Fungi, co-edited, TU Berlin University Press, Berlin 2020; „Hybrid Art“ (Grätz/ Vogel (ed.): NatureCulture, Göttingen 2022); “Artistic Research and Ecology: Pollution, Plastic, Water” (I Reichle (ed.): Plastic Ocean: Art and Science Responses to Marine Pollution, Berlin, Boston 2021); “Saša Spačal. Symbiosen und planetarische Verflechtungen” (Kunstforum International, vol. 281, 2022); “Ko-Existenzen. Über menschliche und nicht-menschliche Akteur:innen” (Kunstforum International, vol. 281, 2022); “Mehr-als-menschliche Allianzen” (J Ullrich (ed.): Nichtmenschliche Ästhetik, Stuttgart: Metzler 2024).

Contact: rapp(at)artlaboratory-berlin.org

Christian de Lutz

Co-director and curator

Christian de Lutz is a curator, originally from New York. As co-founder and co-director of Art Laboratory Berlin he has curated over 40 exhibitions and many talks workshops and seminars, including the series Time and Technology, Synaesthesia, [macro]biologies & [micro]biologies, and Nonhuman Subjectivities. His curatorial work focuses on the interface of art, science and technology in the 21st century, with special attention given to BioArt, DIY Science initiatives and facilitating collaborations between artists and scientists. His interest is in building multidisciplinary networks and unleashing their creative potential. Currently he is involved in collaborative cultural projects connecting Berlin with other cities in Europe and Asia, building international networks for art-science and DIWO (Do-It-With-Others) communities. He has published numerous articles and essays in journals and books, including [macro]biologies & [micro]biologies. Art and the Biological Sublime in the 21st Century (co-edited, 2015), which reflects theoretically on Art Laboratory Berlin’s 2013-15 program, and an introductory essay in Half Life. Machines/ Organisms, Artistic Positions in the context of Climate Change and Extinction (2018). In context of the interdisciplinary art & science project Mind the Fungi (2018-20) he was a researcher affiliated with the Institute for Biotechnology, TU Berlin.

Contact: cdelutz(at)artlaboratory-berlin.org

Tuçe Erel

Curator, project collaborator

Tuçe Erel is a Berlin-based curator and art writer. She studied Sociology at METU (2005, Ankara), received her MA from Anatolian University in 2009, and her second MA in Arts Policy and Management (with curating pathway) from Birkbeck College, UK, in 2015. Erel worked for art magazines, as content editor, archivist and gallery assistant, since 2015 as curator internationally. In 2017 February she co-curated Now You are Here with Seval Sener at Arte Sanat (Ankara) and curated Fabric/ate at Schneidertempel (Istanbul). She facilitated artists’ talks, short-term/pop-up exhibitions at >top Transdisciplinary Project Space (Berlin) throughout 2018. In 2019, she curated Hactivate Yourself in 1a Space in Hong Kong. Since January 2017, she is a member of >top Transdisciplinary Project Space, where she hosted the Posthumanism reading group between 2018 and 2020. Her curatorial interests are archiving practices, posthumanism, anthropocene, ecocriticism, and post-digital theories. Since December 2019, she is a team member of Art Laboratory Berlin, collaborating on current and future curatorial projects and concepts.

Contact: erel(at)artlaboratory-berlin.org

Karolina Zyniewicz

Researcher and curatorial assistant

Karolina Żyniewicz is a Berlin-based artist (2009 graduated from the Academy of Fine Arts in Łódź, Department of Visual Arts) and researcher, PhD in cultural sciences (the title achieved in the Nature-Culture International Transdisciplinary PhD Program at Artes Liberales Faculty, University of Warsaw). She calls herself a liminal being because her work is “in-between” art, biotechnology, humanities, and anthropology. Żyniewicz sees her liminal activity as situated knowledge production and a form of autoethnography. Her projects have conceptual and critical character. She puts her observations, as an artist/researcher (liminal being), in the context of Science and Technology Studies (STS) and feminist humanities. Żyniewicz collaborated with two most prominent art institutions in Warsaw, the Museum of Modern Art and the National Gallery Zachęta, where she works co-creating educational programs, including events with accessibility for the visually impaired and deaf audiences. She uses the achieved pedagogical skills in her independent practice. At Art Laboratory Berlin she is currently assisting on the long-term project MATTER OF FLUX (group exhibition, network, festival).

Alice Cannavà

Cultural Worker, Designer, and Publisher

Alice Cannavà is an independent cultural worker, designer, and publisher. She studied visual arts in Milan and Vienna and currently attends courses in the history of science and technology at the TU Berlin. As publisher, she co-edits and produces Occulto Magazine – an independent journal that brings together sciences, humanities, and the arts – and, more recently, the Occulto Editions – a diverse and evolving landscape of zines, artist’s books and special editions. As designer, she’s mostly active in the cultural scene, recent and ongoing collaborations include the art and research platform Art Laboratory Berlin, the feminist experimental music festival Heroines of Sound (Berlin), the center for art and media technology V2_, Lab for the Unstable Media (Rotterdam), and the artist and researcher Martin Howse (Berlin/London). As cultural worker, she curates and performs at cultural events and workshops in Berlin and beyond. Since 2020, she’s part of the extended team of Art Laboratory Berlin as designer/coder for  print and digital media. In 2023 she joined the Matter of Flux festival and network. In 2024 she designed and produced the book MATTER OF FLUX. Art, Biopolitics, and Networks with Care, edited by Regine Rapp.

Sueli Marsella

Curatorial Assistant

Sueli Marsella is an art historian and storyteller based in Berlin, originally from Italy. She studied History of art in Pisa University meanwhile she worked with two non-profit organization, FUCO-Fucina Contemporanea and AMIPISA, to promote art (especially contemporary art) and culture in the area of Pisa. After her studies in Tuscany she moved to Scotland where she worked as Tour Guide. In 2020 she moved back to her home city (Palermo) to start a Master in Communication for Cultural Heritage focusing in Visual Arts. In Palermo she work as a Project Manager and copywriter for a Foundation to promote the Sicilian territory, culture and farms, as Guide in few historical sites. She was also responsible for the cultural orientation of Digital Nomads interested in discovering Sicilian culture and traditions. Before moving to Berlin she was the Art Mediator for Fondazione Merz, working with the exhibition iSolitudine and My Home’s Wind. At Art Laboratory she is currently assisting on the upcoming exhibition and events.

Tim Deussen | Studio Deussen

Photographer, videographer

After his interdisciplinary studies in film, psychology and philosophy at New York University Tim Deussen founded his own studio in Berlin in 1996. His studio has a strong focus on innovation paired with the sparkling creativity of an independent studio based in the heart of Berlin. This is where he creates on the edge media experiences. They range from classical media like photography or video to new media like AR or VR. With his studio he develops methods and technologies that give artists the opportunity to take advantage of XR-based creation tools. Together with fellow artists, creators, and technologists Studio Deussen explores how the conception, creation and distribution of art can be re-invented in order to make best use of the chances that XR-technology offers to us. For many years Berlin Tim Deussen has produced numerous valuable photographic and video documentation for Art Laboratory Berlin, that now builds the visual ground to ALB’s web archive.

Former team members of Art Laboratory Berlin, see here.


Press Voices on ALB

“[Art Laboratory Berlin] confronts us with our presuppositions about our role vis-à-vis the living and technology. […] For this, the ALB team curates international actors from art and science who venture beyond the usual horizon of knowledge.” (Tagesspiegel, Berlin)

“[Here], art historian Regine Rapp and New York artist Christian de Lutz have quickly established the nucleus of a German BioArt center.”
(Frankfurter Allgemeine Zeitung, Joachim Müller-Jung)

“Art Laboratory Berlin […] have since many years presented very exciting projects connecting Science and Arts. They are a rare instance of serious interdisciplinary thinking.“ (Goldberg Stiftung)

“Much like the projects that Art Laboratory Berlin gravitates towards, the space itself defies any and all categorical boundaries traditionally upheld in the art world. ALB […] functions as an exhibition space, research group, and platform for bringing together artists, scientists, and researchers to discuss impending issues of our time related to life, technology, and culture.” (CLOT Magazine)

“Rapp and de Lutz, who have long worked at the intersections of art, technology and the natural sciences to curate ambitious exhibitions, speak of ‘sustainable curating’.” (Berliner Zeitung)

Press Reviews (Download as PDF)

Press Contact

+49 172 176 5559