Radio Mycelium proposes the construction of a series of experimental situations examining a new networked imaginary, the single organism of the fungal mycelium, in relation to local, global and universal electromagnetic signals. Within this two-day workshop we will build DIY radio receivers and sculptural antennae.
With media and sound artist Nenad Popov and biologist James Whitehead participants will investigate the impact of drought and climate stress on the Panke river. How have low water levels effected nearby soils and vegetation? What signs of urban civilisation – like trash, but also river engineering – are being uncovered?
Together with microbial ecologist India Mansour and artist Sybille Neumeyer participants will trace the constant transformations that surround the Panke, meandering with the past, present and possible futures of the river. Considering the cycles of biological, cultural and political matters, the group will tune into the multiple voices of, in and around the water.
Art Laboratory Berlin welcomes you to the HACK THE PANKE Festival on art, science and sound in Berlin Wedding during summer 2022. The festival takes place as a part of Draussenstadt Call for Action program. All the events are free. For taking part in the workshops, it is necessary to sign up.
In this workshop we reclaim the topic of piezoelectric crystal for public use and think critically about the development of these tools and their outcome. When collecting data, we are extracting from and entering a watery space that is of nonhuman organisms and life.
Inspired by… is an event series, a hybrid format derived from reading group and artist talk formats. In each session, an invited artist will choose a specific text or excerpt from a book that was inspirational for the artist’s practice and/or a particular project that the artist will introduce.
Tad Ermitaño will show some of his film and video works, sketching an uneasy field in which a facility with technology collides with a kind of postcolonial guilt slamming its head against the limits of empiricism.
Using green space in the urban context of Wedding in Berlin, *plan b* invite participants to this outdoor workshop to collectively envision another kind of green, urban world. The workshop invites to collective approaches to find food and medicine and reflects about urban survival techniques.
The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
The performance features excerpts of compositions from Cyanotoxic Romance, a multi-species musical theater piece centered on love and relationships in times of precarity that further imagines the symbiosis between an intersectional working class and toxic cyanobacteria (known as blue-green algae) in the midst of revolution.
This performance is the experiential version of project Virophilia, which explores the futuristic possibilities of using viruses in culinary experiences – an experiment of alternative perspectives through eating, drinking, and storytelling.
The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
In connection with the exhibition Controlling_Connectivity by Gretta Louw and the series Time and Technology Art Laboratory Berlin presents an artists’ talk on the theme current art practices on time and technology featuring Gretta Louw and plan b (Sophia New & Daniel Belasco Rogers) as well as the internet artist Igor Štromajer
Controlling_Connectivity uses the pervasiveness of internet-based social networking, as well as the obligation and opportunity for constant connection with these platforms as a paradigm for a severe and systematic disruption of normal, socially accepted patterns of life and interpersonal interaction during a self-documented performance.