The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
The performance features excerpts of compositions from Cyanotoxic Romance, a multi-species musical theater piece centered on love and relationships in times of precarity that further imagines the symbiosis between an intersectional working class and toxic cyanobacteria (known as blue-green algae) in the midst of revolution.
This performance is the experiential version of project Virophilia, which explores the futuristic possibilities of using viruses in culinary experiences – an experiment of alternative perspectives through eating, drinking, and storytelling.
The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
In connection with the exhibition Controlling_Connectivity by Gretta Louw and the series Time and Technology Art Laboratory Berlin presents an artists’ talk on the theme current art practices on time and technology featuring Gretta Louw and plan b (Sophia New & Daniel Belasco Rogers) as well as the internet artist Igor Štromajer
Controlling_Connectivity uses the pervasiveness of internet-based social networking, as well as the obligation and opportunity for constant connection with these platforms as a paradigm for a severe and systematic disruption of normal, socially accepted patterns of life and interpersonal interaction during a self-documented performance.
Members of the collective will meet for a walk along the Panke river, together with the public, to talk about their previous research on the river, its flora, fauna and ecologies. We will also give a preview of our upcoming DIY/ DIWO program for 2022.
In her performance-lecture Sarah Hermanutz draws upon methods and aesthetics of academic lectures and psychological testing/treatment to engage with the gaps and pains of cross-disciplinary knowledge transfer.
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As part of the opening of the 2016 transmediale festival of art & digital culture at Haus der Kulturen der Welt, Art Laboratory Berlin will present the performance 1000 Handshakes by and with François-Joseph Lapointe.
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Alanna Lynch has been growing the microorganisms that produce kombucha tea. Through the process of fermentation this symbiotic colony of bacteria and yeasts (SCOBY) produces a cellulose material that is slimy and smells strongly while wet and can be dried and used as a textile.
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Artist and scientist Florence Razoux will be presenting the Lumenses Project, a series of creative initiatives that offers a new perspective on menstruation and examine how the taboo that surrounds menstruation impacts society, and especially the biomedical research.
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Five years since she presented the lecture-performance “Mind Blind: Therapeutic Interventions for Human/NonHuman Communications” for Transmediale | Vorspiel 2016, artist Sarah Hermanutz revisits the problems of social cognition in this time of isolation and multiple intersecting crises.
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