In this workshop we will explore ghosts in relation to historical and environmental relics with intimate discussions, readings, and written poetry. We will experiment with our voices and harmonies, while learning about breathing and our body resonance to amplify our stories together in a final composition of our poems through a performance.
Inspired by… is an event series, a hybrid format derived from reading group and artist talk formats. In each session, an invited artist will choose a specific text or excerpt from a book that was inspirational for the artist’s practice and/or a particular project that the artist will introduce.
In the workshop the artist, the designer and the biologist will introduce the participants to the river Panke and changing perceptions of wetlands and essential ecosystems – through situating, storytelling, contextualizing, experiencing, sampling, examining, collaborating.
Based on research developed for the Palaeoplasticene project’s Open Artistic Research Platform, participants will be introduced to the concept of incidental taphonomy, exploring the transience of organic existence and humanity’s relationship to long-lasting materials such as plastic.
Tracing the historical, migratory pathways undertaken by the spud, we propose an ode to the potato, this participatory research workshop explores the spectre of histories and imaginations that the potato, as a seed of desire and delight contains.
The Colloquium addresses an international interdisciplinary research audience to present and discuss past, present or future projects by artists, scholars, curators or editors from the fields of art, science and the humanities, focusing on the work-in-progress.
Radio Mycelium proposes the construction of a series of experimental situations examining a new networked imaginary, the single organism of the fungal mycelium, in relation to local, global and universal electromagnetic signals. Within this two-day workshop we will build DIY radio receivers and sculptural antennae.
With media and sound artist Nenad Popov and biologist James Whitehead participants will investigate the impact of drought and climate stress on the Panke river. How have low water levels effected nearby soils and vegetation? What signs of urban civilisation – like trash, but also river engineering – are being uncovered?
Together with microbial ecologist India Mansour and artist Sybille Neumeyer participants will trace the constant transformations that surround the Panke, meandering with the past, present and possible futures of the river. Considering the cycles of biological, cultural and political matters, the group will tune into the multiple voices of, in and around the water.
Art Laboratory Berlin welcomes you to the HACK THE PANKE Festival on art, science and sound in Berlin Wedding during summer 2022. The festival takes place as a part of Draussenstadt Call for Action program. All the events are free. For taking part in the workshops, it is necessary to sign up.
In this workshop we reclaim the topic of piezoelectric crystal for public use and think critically about the development of these tools and their outcome. When collecting data, we are extracting from and entering a watery space that is of nonhuman organisms and life.
The workshop is a sound art creation activity designed to encourage participants to listen to their environment with intention. It reframes listening as a way of thinking towards an act of reflection. Sonification is a way of experiencing data and the world anew.
Both the participatory workshop and the collective improvisation performance will introduce and invite the community to channel a form of freedom in the form of sound through the sound-making object, without the limitations of conventional music.
Using green space in the urban context of Wedding in Berlin, *plan b* invite participants to this outdoor workshop to collectively envision another kind of green, urban world. The workshop invites to collective approaches to find food and medicine and reflects about urban survival techniques.
RBSC will introduce their new project that works as a culturing home for microorganisms collected from rice, soil, and human hands, explaining their approach of “seokkeodungdung,” a socio-microbial experiment of mixing, floating, caring, and situating “in the field.”