Exhibitions

Alex Toland and Myriel Milicevic both work on the border between art and the environmental sciences. Toland considers the project ‘habitat hacking’ and Milicevic describes the project as ‘reconstructing cross-species life worlds’.

The exhibition title 2-1/4-n/2 x 21/4-n/2 is the formula for calculating the dimensions of the paper sizes in the ISO A series. Within the A series you will find the standard paper size ISO A4, which are widely used in offices all over the world today.

The exhibition, co-curated with Michelle Chong, is an artistic platform with five positions, exploring the cultural overflow, overlap and tensions in the border region of Southern California and Northwest Mexico.

The exhibition shows four positions offering unique views on appropriation, fair use (a term defining legal use of images outside of copyright restrictions) and ‘copyleft’…

The exhibition SEIZED deals with the FBI raid on the home of CAE member and art professor Steve Kurtz in Spring 2004 and the four year law case that followed.

The Prague based artist collective Ztohoven use their work, often interventions in public space, to scrutinise the creditability of mass media and advertising. In their action Media Reality, which took place in June 2007, they ‘hacked’ into the Czech weather channel ČT 2 and added the image of an atomic explosion to the live image of a mountain valley.

The actions of the group CAT (Contemporary Art Terrorism) founded in Novosibirsk in 2003 could be understood as interventions in urban space. These actions were supposed to reclaim urban space as a platform for artistic and political expression

The exhibition deals with questions of design, the arrangement of environments, the formal character of surfaces, things from which lifestyles are constructed: from textiles to texts, from facades to fonts, from interiors to streets and cities.

In everyday language, an event is a notion that embraces two different meanings – a happening violating limits or, in the opposite, invigorating them.

The Berlin artist Reiner Maria Matysik works in manifold ways with concepts for future organisms. In the course of the last years he has created his own new system of post-evolutionary life forms at the borderline between art and biology.

The artworks of Marcus Ahlers functions on the borderline of visual arts and science. They explore visual metaphors for the human body in its surroundings, making reference to social and architectural space

Contemporary Art already long ago turned away from a solely anthropocentric point of view. Currently in Science Art, it is concerned, among other things, with ecological phenomena and is investigating the existence of newly emerging life forms; Art and Science have been combined.

The exhibition presents projects from recent years that demonstrate this playful and experimental strategy which is neither purely political nor technological.

In her installations the Berlin artist Birgit Szepanski composes an aesthetic form of urban space using word and image, in which the walls, floor, windows and doors of the exhibition space become part of the art work. Taking regular walks through urban localities…

The works of the Source Code series are based on a digital collage of text and image. The appropriated texts have been HTML or Java script, or in recent works excerpts from the source code of computer viruses. The commands and syntax of these computer languages…