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Next exhibition:

Artists in Dialog: Alex Toland und Myriel Milicevic - Wunschgarten: Wild Urban Offshoots
28 August 2010 - 26 September 2010, Fri-Sun 2-6PM
Workshop: 4 September, 2010, 2-6PM (registration necessary)


Opening: 27 August 2010, 8PM

 

Art Laboratory Berlin is pleased to announce the opening of the exhibition Wunschgarten: Wild Urban Offshoots by the artists Alex Toland and Myriel Milicevic - the second exhibition in our ongoing series Artists in Dialog.

Each exhibition in Artists in Dialog takes the form of a discourse between two artists, whose work has a common point of contact (e.g. aesthetics, theme or process). Alex Toland and Myriel Milicevic both work on the border between art and life and environmental sciences. Toland considers the project 'habitat hacking' and Milicevic describes the project as 'reconstructing cross-species life worlds'. Together they have chosen the immediate area around Art Laboratory Berlin (the Soldiner Kiez) as a place to investigate interactions between the local human population and urban flora and fauna. The exhibition space will function as a laboratory for mapping, sketching, modelling and prototyping. Wunschgarten is a series of dialogues: between the artists and the local community, between city dwellers and nature, between urban planning and urban wilderness.

As cities creep further into wild landscapes, the wild moves into cities. Urban habitats are places where plants and animals take up residence alongside people. Too often though, space for nature is sealed off by concrete constructions, resulting in a marked divide between the space occupied by humans and the rest of the biotic community. The Wunschgarten is an exploration of the city's wild features and creatures, and a vision of utopian measures that reach beyond existing mitigation schemes and municipal green-space planning. The city becomes a garden of unexpected edible opportunities and ideas to incubate and explode.

The first offshoots of the Wunschgarten are found poking out of sidewalks and courtyards in Berlin's Soldiner Kiez, where the artists have redrawn the natural and urban landscape as a map that connects the area's human, animal, and plant populations. A common ground for interspecies exchange is found along the Panke and its lush riverbanks that spill out into the surrounding neighbourhood.

Toland and Milicevic start their investigation by mapping the various food sources available in the neighbourhood: 1. Local food sources (such as gardens that are planted by the human population, but also the green areas which provide a source of nourishment for the local fauna); 2. Travelled foods (all things brought in and sold at such places as restaurants, cafes, kiosks and markets). They then go on to explore future options for common production, co-production and co-habitation between human urban dwellers and local fauna. Typical planning concepts of "life world oriented space" and "potential natural vegetation" are trumped with visions of potential natural inhabitants, considering for example, the re-introduction of former megafauna such as the European bison.

How might migrating bison find the delicious clover hiding between the bricks and pavement? And how will the ants cross the Osloer Strasse to carry the seeds of the healing Calendine? After mapping existing food sources, the artists propagate some new offshoots, coming up with creative measures to address problems of fragmentation and isolation of urban green space and its myriad inhabitants. Elevating buildings on tree stilts creates grazing space for large mammals. "Formicidae funiculars", or cable cars for non-winged insects, run alongside the tramways, bringing ants and their kin to new Calendine patches. Stony houses allow mountain goats to climb upon them and graze on rooftop farms… The list of mitigation measures sprouts and grows.

The artists reflect in their project possible tools that might help people to interact and communicate with animals and plant life in the neighbourhood: A telescope for recognizing local birds, a seed apron to help plants disperse, a bird house backpack for hatching migrating birds... Coinciding with the early harvest season of late summer, such tools as well as other measures will be developed in the streets and courtyards of the Soldiner Kiez and in a series of workshops and neighborhood walks based out of the offshoot lab (Art Laboratory Berlin).

Finally the artists encourage local inhabitants (and other visitors) to take part in the project. From the gallery space the participants can depart on a series of walks, contribute their own ideas and sketches, and in turn use the Wunschgarten as a springboard for further investigations or offshoots such as urban gardening projects, recordings of urban fauna, or evolutionary architecture and experiments in wild urban societies.

To explore these possibilities in a more concentrated setting, there will be a workshop on September 4 led by the artists to discuss and investigate, create and formulate, construct and co-inhabit the Wunschgarten and its wild urban offshoots.
(more information)

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previous exhibitions:

 

  29.05.2010 - 27.06.2010

Artists in Dialog

2-1/4-n/2 x 21/4-n/2
Heidi Hove & Jens Axel Beck

Opening: Friday, 28 May, 2010, 8 PM
Performance/ work in progress (open to the public): 31 May - 3 June, 2-6 PM

Artist talk: Saturday 12 June, 2010, 6PM

Art Laboratory Berlin is pleased to invite you to the exhibition 2-1/4-n/2 x 21/4-n/2 by the Danish conceptual artists Heidi Hove and Jens Axel Beck – the first exhibition in our new series Artists in Dialog.

Both Heidi Hove and Jens Axel Beck are interdisciplinary artists, whose practice includes sculptural objects and installations as well as architectural, spatial and social interventions. A point of convergence in their work is a focus on daily life and the public and private spaces that we daily travel through. One example of this is Heidi Hove's inscribing of an American memorial bench with the phrase “IN MEMORY OF YOU”, whose open message and diverging design generates a confusion among users of the bench in the mixed neighborhood of Sundholm in Copenhagen.

Their work examines how we navigate and organise ourselves in the world. Through simple and diverse manipulations, the daily and the recognisable are brought out of their regular condition. For instance in his sculpture Chest of Drawers Without Cherry Laminate Jens Axel Beck has removed the laminate from an everyday bedroom chest, and placed the pieces of laminate in jars that are displayed alongside the altered piece of furniture..
(more information)

 

 

 

24.04.2010 - 22.05.2010
OFF FENCE.
Art on the Californian-Mexican Border

Michelle Chong
Katya Gardea Browne
Ed Gomez
Luis G. Hernandez
Camilo Ontiveros.

Opening: Friday, 23. April 2010, 20 Uhr
Artist Talk with Michelle Chong: So. 25. April 2010, 4PM
Open: Fri-Sun, 2-6PM

The exhibition project OFF FENCE. Art on the Californian-Mexican Border is an artistic platform with five positions, exploring the cultural overflow, overlap and tensions in the border region of Southern California and Northwest Mexico.
(more information)

 

Azin Feizabadi, from Repititions-Revolutions -Rituals

 

28.11.2009 - 07.02.2010
Art and Law IV
Creative Rights. On Appropriation, Copyright and Copyleft

Azin Feizabadi, Gilbert & George, Christian de Lutz, Triple Candie
The Creative Rights Library with documentation on Shepard Fairey vs AP, Richard Prince vs Patrick Cariou, Creative Commons, The Fair Use Projekt, Piratpartiet, etc.

Opening 27 November 2009, 8PM
Duration: 28 November 2009 - 7 February 2010
(closed 18 December 2009 - 3 January 2010)
Open Sat - Sun 2-6PM, exhibition tour 3PM

Workshop: "Copyright and related topics for artists. musicians, filmmakers and other creative producers" with Andreas Lichtenhahn (lawyer), in German.
28 November 2009, 15h

Creative Rights. On Appropriation, Copyright and Copyleft investigates questions concerning the use, re-use and misuse of images and information in the contemporary art world from artistic, legal, political and philosophical viewpoints.

Since the late 1970s appropriation of images and information by such artists as Sherrie Levine and Richard Prince has become a common and accepted technique, part and parcel of postmodernism's critical approach. Indeed it follows a tradition that goes back through pop art and nouveau realisme to Dada and cubist collage. Not without ethical, aesthetic and legal controversy, a number of law cases involving appropriation seems to have increased in recent years involving artists such as Jeff Koons, Richard Prince and Shepard Fairey

The exhibition Creative Rights consists of three parts: The exhibition with four artistic positions, the Creative Rights Library with extensive material on the presented artists and other recent law cases as well as a workshop on the theme of copyright.

(more information)

 

 

02.10.2009 - 15.11.2009
Art and Law III

Seized - Critical Art Ensemble
& Institute for Applied Autonomy

Opening: 2. October 2009, 8PM
Artist Talk: 4. October 2009, 4PM
Exhibition duration: 3. October - 15. November 2009
Film Screening: Strange Culture, 2. November 2009, 7.30 PM (see events)

ART LABORATORY BERLIN is pleased to announce the exhibition Seized by Critical Art Ensemble (CAE) and the Institute for Applied Autonomy (IAA) as the third part of our series Art and Law.

The exhibition Seized documents the FBI raid on the house of CAE member Prof. Steve Kurtz in May 2004, following the death of his wife Hope. In the weeks prior to the raid Steve and Hope Kurtz had been preparing for an exhibition examining GM agriculture at Mass. MOCA.

An emergency worker of the fire department responding to Steve Kurtz's 911 call found materials in their houserelated to the upcoming exhibition suspicious and informed the FBI. The raid, conducted by FBI-officers wearing hazmat suits, and blocking off a half block radius of the home, caused much media attention. (more Information)

 

 

Photo copyright 2009 by Michael J. Mulley
 
 

30.05.2009 - 28.06.2009
Art and Law II
Ztohoven
. Media Reality

Filmscreening: On Media Reality
by Vladimir Turner. Followed by artist talk: 29 May, 8:30pm

The Prague based artist collective Ztohoven use their work, often interventions in public space, to scrutinise the creditability of mass media and advertising. In their action Media Reality, which took place on 7 June, 2007, they ‘hacked’ into the Czech weather channel ČT 2 and added the image of an atomic explosion to the live image of a mountain valley. The channel pressed charges under laws against “indecent behavior” and the “diffusion of false information”. In two separate legal actions members of the group were acquitted. At the same time, Ztohoven were awarded the first NG 333 prize for contemporary art from the Prague National Gallery, in connection with Media Reality

Besides showing the work Media Reality and related court documents, Art Laboratory Berlin will present the German premiere of the film On Media Reality, which documents the legal and artistic aftermath of the action. The film’s director Vladimir Turner will be present at the opening on 29 May.(more information)

 

 

 

21.02.2009 - 29.03.2009
Art and Law I:
CAT.
Monstration

Lecture by Maksim Neroda (CAT): 22 March 2009, 5PM

The CAT (Contemporary Art Terrorism) collective from Novosibirsk creates situations in public space, which lay bare the absurdity of the way in which political power functions. Unprepared passers-by were drawn into the process of creating critical artistic statements. For organizing a May Day monstration - a counterpart to a classical May Day demonstration - in which marchers carried individual banners with apolitical, often poetic or non-rational slogans, the artists were sentenced to pay a fine. The exhibition Monstration shows video works and documents of the public reaction by means of legal documents and mass media reviews.
(more information)

 

 

 

29.18.2008 - 04.01.2009
Curators from East and Central Europe III:

Mari Laanemets

Hier wäre das Leben leicht
(There, Life Would Be Easy)

The exhibition revolves around issues of design, of the construction of surfaces we are surrounded by in everyday life: from textiles to texts, to street and city. One of the underlying intentions of the exhibition is to reflect on how these formal constructions organize our behaviour, give our lives a scheme, a program, and on the sedimentation of ideology in forms.
Participating artists: Kadi Estland, Anton Koovit, Sirje Runge, Killu Sukmit, Tere Recarens and Florian Wüst.(more)

 

 

 

24.10.2008 - 16.11.2008
Curators from East and Central Europe II:

Elena Sorokina
Subjective Events, Sometimes Recorded

Tour of the exhibition: 02 November 2008, 3PM
Workshop 24 October 2008, 6PM

In everyday language, an event is a notion that embraces two different meanings - a happening violating limits or, in the opposite, invigorating them. One is destructive, the other restrictive; one is closer to the chaos of a revolution, the other to a meticulously performed ceremony with a set of rules. The work in the exhibition focuses on the second meaning: initially, it comments on contemporary rituals or pronounced interest in social codes, which often re-emerge in times of crisis and insecurity. Through recording, staging, or enacting some examples of today's ritualistic behavior the artists examine how the so-called "flexible personalities" engage in a performance of specific and mainly self-imposed rules. (more)

 

 

 

30.08.2008 - 28.09.2008
Art and Science III
Reiner Maria Matysik - Failed Organisms

Artist's talk: 31 August 2008, 5PM
Tour of the exhibition: 28 September 2008, 3PM

The Berlin artist Reiner Maria Matysik (born 1967, Duisburg, Germany) works in manifold ways with concepts for future organisms. In the course of the last years he has created his own new system of post-evolutionary life forms at the borderline between art and biology. In his installations, videos, actions and publications the term "biological sculpture", coined by Matysik himself, plays a vital role.
(more)

 

 

 

30.05.2008 - 29.06.2008
Art and Science II
Marcus Ahlers
- Transposed Nodes

Artist's talk: 14 June 2008, 5PM
Tour of the exhibition: 29 June 2008, 3PM

The artworks of Marcus Ahlers (born 1974) functions on the borderline of visual arts and science. On one hand they explore visual metaphors for the human body in its surroundings, making reference to social and architectural space. On the other hand they are receptacles for electro-chemical reactions, which take place within them. (more)

 

 

 

29.03.2008 - 04.05.2008
Art and Science I
Dmitrij Bulatov - Senses Alert

Artist's talk and workshop: 29 March 2008, 5PM
Tour of the exhibition: 27 April 2008, 3PM

Contemporary Art already long ago turned away from a solely anthropocentric point of view. Currently in Science Art, it is concerned, among other things, with ecological phenomena and is investigating the existence of newly emerging life forms; Art and Science have been combined. The Kaliningrad based artist Dmitrij Bulatov views the contemporary art scene as a kind of petri dish of living material for his investigations. Coming from his own artistic experience he has investigated this sphere and explored its dynamics and spatial vectors. In connection with his scientific research and artistic practice, Bulatov has staged an active evolutionary dramatisation of ‘post-biological’ forms whose paradoxical development may completely change our idea of the surrounding world. (more)

 

 

 

26.01.2008 - 2.03.2008
Eastern and Central European Curators I:

Denisa Kera and Pavel Sedlak
Cosmopolitics - New Media Art from the Czech Republic

Workshop with Denisa Kera (curator): Curating New Media: 27.01.2008 5 PM
Artists Talk 01 February 2008 8PM
Tour of the exhibition 0 2 March 2008 3PM

The Czech new media art scene could be characterized by a latecomer strategy which in recent years is turning its disadvantages into a source of advantage. As video art and other trends from the 1980s and 1990s were never strong in the Czech art academies, young artists feel free to experiment and often develop very promiscuous relations to different traditions, trends and technologies. (more)

 

 

 

23.11.2007 - 6.01.2008
Art and Text III
Prinzenallee: a Play without Dialog by Birgit Szepanski

Artist's talk: Sunday, 06 January 2008, 5pm

In her installations, the Berlin artist Birgit Szepanski composes an aesthetic form of urban space using word and image, in which the walls, floor, windows and doors of the exhibition space become part of the art work. Taking regular walks through urban localities is a major part of the artist's production process, during which she collects thoughts, words and images of the city for her exhibition projects in Germany and abroad. There is a correlation between the architectural and bibliophile aspects in her artist's books, photographs, films and audio pieces.(more)

 

 

 

28.9.2007 - 28.10.2007

Art and Text II
Christian de Lutz - Ekphrasis

Christian de Lutz has worked as a photographer and visual artist since moving to Europe in 1994, after having worked in painting and video in New York during the late 1980s and early 1990s. During these years de Lutz has built up a considerable photo archive, which he has used as the basis to create his current images. The original analogue photographs have been processed through digital imaging software; some information has been taken away, while new information has been added. In the last seven years the artist has increasingly worked at the periphery of image and text. By means of a digital montage of photography and source code or algorithmic texts his pictures have generated a palimpsest-like layering of pictorial and literary signs.
As part of the exhibition series Art and Text, Art Laboratory Berlin is presenting a selection of
de Lutz's most recent Source Code Images. (more information...)

 

 

 

31.8.2007 - 23.09.2007
Art and Text I

Farkhondeh Shahroudi

Art Laboratory Berlin is pleased to present a solo exhibition of book art, drawings and a digital work by Farkhondeh Shahroudi as part of the series Art and Text.

Born in Tehran in 1962, Shahroudi has lived in Germany since 1990. She is both a visual artist working in a variety of media: sculpture, drawing, painting, photography, video and computer, and a poet writing in Farsi and German. Her work indeed functions like a series of hyperlinks between art and text, between tradition and technology. (more information)

 

 

 

30 June- 22 July 07
Art and Music III
Viktor Alimpiev - Two Songs

Viktor Alimpiev, whose work Summer Lightings was shown at the 4th Berlin Biennale in the Former Jewish Girls' School, combines different artistic fields in his cinematic work: visual arts, music, theater and dance. In his films he has worked with the human body and more recently with song and speech. During the 2005 Venice Theatre Biennale he directed the play We're Talking about Music in Italian language together with Marian Zhunin. In Linz in 2006 he created the video Wie heisst dieser Platz? in German. (more information)

 

 

 

25 May - 17 June 07
Art and Music II

3-ROOM-CONFERENCE. A Live Performance with an Exhibition by the Berlin Tiefenrauschorchester

The 3-Room-Conference is a performance project, which was organized by the Berlin Tiefenrauschorchester especially for the rooms of the artspace Art Laboratory Berlin.

In connection with his painting Inbetween (2001) and his film projection Cloud Pieces (2005) Leo Königsberg will realize a sound collage on his space cello. This audiovisual production will be taken further by the live act by Christian Glass' electronic acoustics. The dance performance by janusz de woyciechowski, in relation to his film Titania (1970), which will be projected in the art space, will develop this interdisciplinary experiment through the human body in movement. (more information)

 

 

 

30 March 07 - 20 May 07
Art and Music I

The Artist Group PG – video works

The Group PG was founded in 1998. It now consists of Ilya Falkovsky, Alexey Katalkin and Boris Spiridonov. PG is a play on words that can be interpreted differently, for example as “Criminal Group”, “Hydrant” or “Hand Grenade”.

The group activity is multifunctional. It publishes its own magazines and postcards, releases musical albums, makes comics and performances. (more information)

 

 

 

'pre-opening' 23 February 2007
Film screening:
Bildungscamper.
Der Blick des Patriarchen

A documentary film by Nicola Hochkeppel
2004, 62 min                          

A 1960's and 70's West German vacation idyll. The Hubert J. Wagner family of Cologne – all nine of then – trapped between the „simple life“ romanticism of camping and the educated middle-class ideal of classics-based scholarship. Tax consultant Wagner, the arch-catholic clan patriarch, suffers no amendments to his meticulous plans for the rigorous summer pilgrimages. Using the family's home-movie footage (1965 – 1975), the documentary film LEARNING BY CAMPING also chronicles a chapter of German social history during the heyday of the flourishing welfare state.(more information)

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