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Visit
our new photo blog!
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Next
exhibition:
Artists
in Dialog: Alex Toland und Myriel Milicevic
- Wunschgarten: Wild Urban Offshoots
28 August 2010 - 26 September 2010, Fri-Sun 2-6PM
Workshop: 4 September, 2010, 2-6PM (registration necessary)
Opening:
27 August 2010, 8PM

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Art
Laboratory Berlin is pleased to announce the opening of the exhibition
Wunschgarten: Wild Urban Offshoots by the artists
Alex Toland and Myriel Milicevic - the second exhibition in our
ongoing series Artists in Dialog.
Each
exhibition in Artists in Dialog takes the form of a discourse
between two artists, whose work has a common point of contact
(e.g. aesthetics, theme or process). Alex Toland and Myriel Milicevic
both work on the border between art and life and environmental
sciences. Toland considers the project 'habitat hacking' and Milicevic
describes the project as 'reconstructing cross-species life worlds'.
Together they have chosen the immediate area around Art Laboratory
Berlin (the Soldiner Kiez) as a place to investigate interactions
between the local human population and urban flora and fauna.
The exhibition space will function as a laboratory for mapping,
sketching, modelling and prototyping. Wunschgarten is a
series of dialogues: between the artists and the local community,
between city dwellers and nature, between urban planning and urban
wilderness.
As
cities creep further into wild landscapes, the wild moves into
cities. Urban habitats are places where plants and animals take
up residence alongside people. Too often though, space for nature
is sealed off by concrete constructions, resulting in a marked
divide between the space occupied by humans and the rest of the
biotic community. The Wunschgarten is an exploration of
the city's wild features and creatures, and a vision of utopian
measures that reach beyond existing mitigation schemes and municipal
green-space planning. The city becomes a garden of unexpected
edible opportunities and ideas to incubate and explode.
The first offshoots of the Wunschgarten are found poking
out of sidewalks and courtyards in Berlin's Soldiner Kiez, where
the artists have redrawn the natural and urban landscape as a
map that connects the area's human, animal, and plant populations.
A common ground for interspecies exchange is found along the Panke
and its lush riverbanks that spill out into the surrounding neighbourhood.
Toland
and Milicevic start their investigation by mapping the various
food sources available in the neighbourhood: 1. Local food sources
(such as gardens that are planted by the human population, but
also the green areas which provide a source of nourishment for
the local fauna); 2. Travelled foods (all things brought in and
sold at such places as restaurants, cafes, kiosks and markets).
They then go on to explore future options for common production,
co-production and co-habitation between human urban dwellers and
local fauna. Typical planning concepts of "life world oriented
space" and "potential natural vegetation" are trumped
with visions of potential natural inhabitants, considering for
example, the re-introduction of former megafauna such as the European
bison.
How
might migrating bison find the delicious clover hiding between
the bricks and pavement? And how will the ants cross the Osloer
Strasse to carry the seeds of the healing Calendine? After mapping
existing food sources, the artists propagate some new offshoots,
coming up with creative measures to address problems of fragmentation
and isolation of urban green space and its myriad inhabitants.
Elevating buildings on tree stilts creates grazing space for large
mammals. "Formicidae funiculars", or cable cars for
non-winged insects, run alongside the tramways, bringing ants
and their kin to new Calendine patches. Stony houses allow mountain
goats to climb upon them and graze on rooftop farms
The
list of mitigation measures sprouts and grows.
The
artists reflect in their project possible tools that might help
people to interact and communicate with animals and plant life
in the neighbourhood: A telescope for recognizing local birds,
a seed apron to help plants disperse, a bird house backpack for
hatching migrating birds... Coinciding with the early harvest
season of late summer, such tools as well as other measures will
be developed in the streets and courtyards of the Soldiner Kiez
and in a series of workshops and neighborhood walks based out
of the offshoot lab (Art Laboratory Berlin).
Finally the artists encourage local inhabitants (and other visitors)
to take part in the project. From the gallery space the participants
can depart on a series of walks, contribute their own ideas and
sketches, and in turn use the Wunschgarten as a springboard
for further investigations or offshoots such as urban gardening
projects, recordings of urban fauna, or evolutionary architecture
and experiments in wild urban societies.
To
explore these possibilities in a more concentrated setting, there
will be a workshop on September 4 led by the artists to discuss
and investigate, create and formulate, construct and co-inhabit
the Wunschgarten and its wild urban offshoots.
(more information)
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previous
exhibitions:
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29.05.2010
- 27.06.2010
Artists
in Dialog
2-1/4-n/2 x 21/4-n/2
Heidi Hove & Jens Axel Beck
Opening:
Friday, 28 May, 2010, 8 PM
Performance/ work in progress (open to the public): 31 May - 3 June,
2-6 PM
Artist talk: Saturday 12 June, 2010, 6PM
Art
Laboratory Berlin is pleased to invite you to the exhibition
2-1/4-n/2 x 21/4-n/2 by the Danish
conceptual artists Heidi Hove and Jens Axel Beck the first
exhibition in our new series Artists in Dialog.
Both
Heidi Hove and Jens Axel Beck are interdisciplinary artists, whose
practice includes sculptural objects and installations as well as
architectural, spatial and social interventions. A point of convergence
in their work is a focus on daily life and the public and private
spaces that we daily travel through. One example of this is Heidi
Hove's inscribing of an American memorial bench with the phrase
IN MEMORY OF YOU, whose open message and diverging design
generates a confusion among users of the bench in the mixed neighborhood
of Sundholm in Copenhagen.
Their
work examines how we navigate and organise ourselves in the world.
Through simple and diverse manipulations, the daily and the recognisable
are brought out of their regular condition. For instance in his
sculpture Chest of Drawers Without Cherry Laminate Jens Axel
Beck has removed the laminate from an everyday bedroom chest, and
placed the pieces of laminate in jars that are displayed alongside
the altered piece of furniture..
(more information)
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24.04.2010
- 22.05.2010
OFF FENCE.
Art on the Californian-Mexican Border
Michelle Chong
Katya Gardea Browne
Ed Gomez
Luis G. Hernandez
Camilo Ontiveros.
Opening:
Friday, 23. April 2010, 20 Uhr
Artist Talk with Michelle Chong: So. 25. April 2010, 4PM
Open: Fri-Sun, 2-6PM
The
exhibition project OFF FENCE. Art on the Californian-Mexican
Border is an artistic platform with five positions, exploring
the cultural overflow, overlap and tensions in the border region
of Southern California and Northwest Mexico.
(more information)
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Azin
Feizabadi, from Repititions-Revolutions -Rituals
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28.11.2009
- 07.02.2010
Art
and Law IV
Creative Rights. On Appropriation, Copyright and Copyleft
Azin
Feizabadi, Gilbert & George, Christian de Lutz, Triple Candie
The Creative Rights Library with documentation on Shepard
Fairey vs AP, Richard Prince vs Patrick Cariou, Creative Commons,
The Fair Use Projekt, Piratpartiet, etc.
Opening
27 November 2009, 8PM
Duration: 28 November 2009 - 7 February 2010
(closed 18 December 2009 - 3 January 2010)
Open Sat - Sun 2-6PM, exhibition tour 3PM
Workshop: "Copyright and related topics for artists.
musicians, filmmakers and other creative producers" with Andreas
Lichtenhahn (lawyer), in German.
28 November 2009, 15h
Creative
Rights. On Appropriation, Copyright and Copyleft investigates
questions concerning the use, re-use and misuse of images and information
in the contemporary art world from artistic, legal, political and
philosophical viewpoints.
Since
the late 1970s appropriation of images and information by such artists
as Sherrie Levine and Richard Prince has become a common and accepted
technique, part and parcel of postmodernism's critical approach.
Indeed it follows a tradition that goes back through pop art and
nouveau realisme to Dada and cubist collage. Not without ethical,
aesthetic and legal controversy, a number of law cases involving
appropriation seems to have increased in recent years involving
artists such as Jeff Koons, Richard Prince and Shepard Fairey
The
exhibition Creative Rights consists of three parts: The exhibition
with four artistic positions, the Creative Rights Library with extensive
material on the presented artists and other recent law cases as
well as a workshop on the theme of copyright.
(more
information)
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02.10.2009
- 15.11.2009
Art and Law III
Seized
- Critical Art Ensemble
& Institute for Applied Autonomy
Opening:
2. October 2009, 8PM
Artist Talk: 4. October 2009, 4PM
Exhibition duration: 3. October - 15. November 2009
Film Screening: Strange Culture, 2. November 2009,
7.30 PM (see events)
ART
LABORATORY BERLIN is pleased to announce the exhibition Seized
by Critical Art Ensemble (CAE) and the Institute for Applied Autonomy
(IAA) as the third part of our series Art and Law.
The
exhibition Seized documents the FBI raid on the house
of CAE member Prof. Steve Kurtz in May 2004, following the death
of his wife Hope. In the weeks prior to the raid Steve and Hope
Kurtz had been preparing for an exhibition examining GM agriculture
at Mass. MOCA.
An
emergency worker of the fire department responding to Steve Kurtz's
911 call found materials in their houserelated to the upcoming exhibition
suspicious and informed the FBI. The raid, conducted by FBI-officers
wearing hazmat suits, and blocking off a half block radius of the
home, caused much media attention. (more
Information)
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| Photo
copyright 2009 by Michael J. Mulley |
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30.05.2009
- 28.06.2009
Art and Law II
Ztohoven.
Media Reality
Filmscreening:
On Media Reality
by Vladimir Turner. Followed by artist talk: 29 May, 8:30pm
The
Prague based artist collective Ztohoven use their work, often interventions
in public space, to scrutinise the creditability of mass media and
advertising. In their action Media Reality, which took place
on 7 June, 2007, they hacked into the Czech weather
channel ČT 2 and added the image of an atomic explosion to
the live image
of a mountain valley. The channel pressed charges under laws against
indecent behavior and the diffusion of false information.
In two separate legal actions members of the group were acquitted.
At the same time, Ztohoven were awarded the first NG 333 prize for
contemporary art from the Prague National Gallery, in connection
with Media Reality
Besides
showing the work Media Reality and related court documents,
Art Laboratory Berlin will present the German premiere of
the film On Media Reality, which documents the legal and
artistic aftermath of the action. The films director Vladimir
Turner will be present at the opening on 29 May.(more
information)
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21.02.2009
- 29.03.2009
Art
and Law I:
CAT. Monstration
Lecture
by Maksim Neroda (CAT): 22 March 2009, 5PM
The
CAT (Contemporary Art Terrorism) collective from Novosibirsk
creates situations in public space, which lay bare the absurdity
of the way in which political power functions. Unprepared passers-by
were drawn into the process of creating critical artistic statements.
For organizing a May Day monstration - a counterpart to a classical
May Day demonstration - in which marchers carried individual banners
with apolitical, often poetic or non-rational slogans, the artists
were sentenced to pay a fine. The exhibition Monstration
shows video works and documents of the public reaction by means
of legal documents and mass media reviews.
(more information)
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29.18.2008
- 04.01.2009
Curators from East and Central Europe III:
Mari Laanemets
Hier wäre das Leben leicht
(There, Life Would Be Easy)
The
exhibition revolves around issues of design, of the construction
of surfaces we are surrounded by in everyday life: from textiles
to texts, to street and city. One of the underlying intentions of
the exhibition is to reflect on how these formal constructions organize
our behaviour, give our lives a scheme, a program, and on the sedimentation
of ideology in forms.
Participating artists: Kadi Estland, Anton Koovit, Sirje Runge,
Killu Sukmit, Tere Recarens and Florian Wüst.(more)
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24.10.2008
- 16.11.2008
Curators from East and Central Europe II:
Elena
Sorokina
Subjective Events, Sometimes Recorded
Tour
of the exhibition: 02 November 2008, 3PM
Workshop 24 October 2008, 6PM
In
everyday language, an event is a notion that embraces two different
meanings - a happening violating limits or, in the opposite, invigorating
them. One is destructive, the other restrictive; one is closer to
the chaos of a revolution, the other to a meticulously performed
ceremony with a set of rules. The work in the exhibition focuses
on the second meaning: initially, it comments on contemporary rituals
or pronounced interest in social codes, which often re-emerge in
times of crisis and insecurity. Through recording, staging, or enacting
some examples of today's ritualistic behavior the artists examine
how the so-called "flexible personalities" engage in a
performance of specific and mainly self-imposed rules. (more)
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30.08.2008
- 28.09.2008
Art and Science III
Reiner Maria Matysik - Failed Organisms
Artist's
talk: 31 August 2008, 5PM
Tour of the exhibition: 28 September 2008, 3PM
The Berlin artist Reiner Maria Matysik (born 1967, Duisburg, Germany)
works in manifold ways with concepts for future organisms. In the
course of the last years he has created his own new system of post-evolutionary
life forms at the borderline between art and biology. In his installations,
videos, actions and publications the term "biological sculpture",
coined by Matysik himself, plays a vital role. (more)
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30.05.2008
- 29.06.2008
Art
and Science II
Marcus Ahlers
- Transposed Nodes
Artist's
talk: 14 June 2008, 5PM
Tour of the exhibition: 29 June 2008, 3PM
The artworks of Marcus Ahlers (born 1974) functions on the borderline
of visual arts and science. On one hand they explore visual metaphors
for the human body in its surroundings, making reference to social
and architectural space. On the other hand they are receptacles
for electro-chemical reactions, which take place within them. (more)
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29.03.2008
- 04.05.2008
Art
and Science I
Dmitrij Bulatov - Senses Alert
Artist's
talk and workshop:
29 March 2008, 5PM
Tour of the exhibition: 27 April 2008, 3PM
Contemporary
Art already long ago turned away from a solely anthropocentric point
of view. Currently in Science Art, it is concerned, among other
things, with ecological phenomena and is investigating the existence
of newly emerging life forms; Art and Science have been combined.
The Kaliningrad based artist Dmitrij Bulatov views the contemporary
art scene as a kind of petri dish of living material for his investigations.
Coming from his own artistic experience he has investigated this
sphere and explored its dynamics and spatial vectors. In connection
with his scientific research and artistic practice, Bulatov has
staged an active evolutionary dramatisation of post-biological
forms whose paradoxical development may completely change our idea
of the surrounding world. (more)
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26.01.2008
- 2.03.2008
Eastern
and Central European Curators I:
Denisa Kera and Pavel Sedlak
Cosmopolitics - New Media Art from the Czech Republic
Workshop
with Denisa Kera (curator): Curating New Media: 27.01.2008 5 PM
Artists Talk 01 February 2008 8PM
Tour of the exhibition 0 2 March 2008 3PM
The
Czech new media art scene could be characterized by a latecomer
strategy which in recent years is turning its disadvantages into
a source of advantage. As video art and other trends from the 1980s
and 1990s were never strong in the Czech art academies, young artists
feel free to experiment and often develop very promiscuous relations
to different traditions, trends and technologies. (more)
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23.11.2007
- 6.01.2008
Art
and Text III
Prinzenallee: a Play without Dialog by Birgit Szepanski
Artist's
talk: Sunday, 06 January 2008, 5pm
In her
installations, the Berlin artist Birgit Szepanski composes an aesthetic
form of urban space using word and image, in which the walls, floor,
windows and doors of the exhibition space become part of the art
work. Taking regular walks through urban localities is a major part
of the artist's production process, during which she collects thoughts,
words and images of the city for her exhibition projects in Germany
and abroad. There is a correlation between the architectural and
bibliophile aspects in her artist's books, photographs, films and
audio pieces.(more)
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28.9.2007
- 28.10.2007
Art
and Text II
Christian de Lutz - Ekphrasis
Christian
de Lutz has worked as a photographer and visual artist since moving
to Europe in 1994, after having worked in painting and video in
New York during the late 1980s and early 1990s. During these years
de Lutz has built up a considerable photo archive, which he has
used as the basis to create his current images. The original analogue
photographs have been processed through digital imaging software;
some information has been taken away, while new information has
been added. In the last seven years the artist has increasingly
worked at the periphery of image and text. By means of a digital
montage of photography and source code or algorithmic texts his
pictures have generated a palimpsest-like layering of pictorial
and literary signs.
As part of the exhibition series Art and Text, Art Laboratory Berlin
is presenting a selection of
de Lutz's most recent Source Code Images. (more
information...)
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31.8.2007
- 23.09.2007
Art and Text I
Farkhondeh Shahroudi
Art
Laboratory Berlin is pleased to present a solo exhibition of book
art, drawings and a digital work by Farkhondeh Shahroudi as part
of the series Art and Text.
Born in Tehran in 1962, Shahroudi has lived in Germany since 1990.
She is both a visual artist working in a variety of media: sculpture,
drawing, painting, photography, video and computer, and a poet writing
in Farsi and German. Her work indeed functions like a series of
hyperlinks between art and text, between tradition and technology.
(more information)
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30
June- 22 July 07
Art
and Music III
Viktor Alimpiev - Two Songs
Viktor
Alimpiev, whose work Summer Lightings was shown at the 4th Berlin
Biennale in the Former Jewish Girls' School, combines different
artistic fields in his cinematic work: visual arts, music, theater
and dance. In his films he has worked with the human body and more
recently with song and speech. During the 2005 Venice Theatre Biennale
he directed the play We're Talking about Music in Italian language
together with Marian Zhunin. In Linz in 2006 he created the video
Wie heisst dieser Platz? in German. (more
information)
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25
May - 17 June 07
Art and Music II
3-ROOM-CONFERENCE. A Live Performance with
an Exhibition by the Berlin Tiefenrauschorchester
The
3-Room-Conference is a performance project, which was organized
by the Berlin Tiefenrauschorchester especially for the rooms of
the artspace Art Laboratory Berlin.
In
connection with his painting Inbetween (2001) and his film
projection Cloud Pieces (2005) Leo Königsberg will realize
a sound collage on his space cello. This audiovisual production
will be taken further by the live act by Christian Glass' electronic
acoustics. The dance performance by janusz de woyciechowski, in
relation to his film Titania (1970), which will be projected
in the art space, will develop this interdisciplinary experiment
through the human body in movement.
(more information)
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30
March 07 - 20 May 07
Art and Music I
The Artist Group PG video works
The
Group PG was founded in 1998. It now consists of Ilya Falkovsky,
Alexey Katalkin and Boris Spiridonov. PG is a play on words that
can be interpreted differently, for example as Criminal Group,
Hydrant or Hand Grenade.
The
group activity is multifunctional. It publishes its own magazines
and postcards, releases musical albums, makes comics and performances.
(more
information)
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'pre-opening'
23 February 2007
Film
screening:
Bildungscamper.
Der Blick des Patriarchen
A documentary
film by Nicola Hochkeppel
2004, 62 min                  
       
A 1960's
and 70's West German vacation idyll. The Hubert J. Wagner family
of Cologne all nine of then trapped between the simple
life romanticism of camping and the educated middle-class
ideal of classics-based scholarship. Tax consultant Wagner, the
arch-catholic clan patriarch, suffers no amendments to his meticulous
plans for the rigorous summer pilgrimages. Using the family's home-movie
footage (1965 1975), the documentary film LEARNING BY CAMPING
also chronicles a chapter of German social history during the heyday
of the flourishing welfare state.(more
information)
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