Viewing
and Artist Talk
Nasim
Manouchehrabadi: The Power of Form, the Form of Power
25 October, 2013, 7-11 PM
26-27 October, 2013 2-6 PM
Artist
Talk with Nasim Manouchehrabadi on 26 October, 2013 3 PM
Nasim Manouchehrabadi,The Power of Form, the
Form of Power, 2011
Summer
2009, Berlin. Actually, we had no doubt that he would be
voted out. But then the results were announced and Ahmadinejad was
re-elected president. It was a case of large scale election fraud,
and while we were here, torn between anger and disbelief, Tehran
experienced the largest mass protests since the fall of the Shah's
regime. Suddenly there was a spirit of optimism; for the first time,
the population reacted openly against the regime of the mullahs
and exposed the rulers' illegitimacy before the whole world. However,
the system reacted harshly, and mercilessly put down the uprising,
causing many deaths and injuries.
This
is how the Tehran-born and Berlin-based artist and designer Nasim
Manouchehrabadi described the events following the Iranian presidential
elections in 2009. These are the major impetus for the development
of her work "The Power of Form, the Form of Power" which
will be on view at Art Laboratory Berlin from 25-27 October, 2013.
But the 2009 protests against the Islamic regime and the many conflicts
within modern Iranian society are not the only points of departure
for the artist. In her work, Nasim Manouchehrabadi has long dealt
with the history of Islamic ornamentation, originating in the prohibition
of images during the 8th century, and which remains today an essential
expression in the Islamic world. The artist has tried to give the
perception and impact of geometric ornamentation a new direction.
The
form of a carpet is strongly and semantically charged in many ways,
bringing together cultural, social and political aspects of modern
Iranian life. Manouchehrabadi's carpet is made of different elements,
from embroidered fabric to parts made of plexiglas to photographs
printed on fabric. The work can be seen on multiple levels: on one
hand the aesthetic of form and material, on the other content and
ideology.
-Curated by Olga Shmakova
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