{"id":3783,"date":"2021-05-09T20:15:50","date_gmt":"2021-05-09T20:15:50","guid":{"rendered":"https:\/\/artlaboratory-berlin.org\/wp\/?post_type=exhibition&#038;p=3783"},"modified":"2022-01-15T14:54:50","modified_gmt":"2022-01-15T14:54:50","slug":"time-technology-3-fantastic-time-machines","status":"publish","type":"exhibition","link":"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-3-fantastic-time-machines\/","title":{"rendered":"Time &#038; Technology\/ 3"},"content":{"rendered":"\n<h2 class=\"subheading wp-block-heading\">Fantastic Time Machines<\/h2>\n\n\n\n<h3 class=\"names wp-block-heading\">Shlomit Lehavi | Sam Belinfante &amp; Simon Lewandowski<\/h3>\n\n\n\t\t<div class=\"media-box\">\n\t\t\t\t\t\t    <div id=\"head-slider\" class=\"head-slider\">\n\t\t\t            \t\t\t\t\t\t<div class=\"slide\">\n\t\t\t\t\t\t<div class=\"img-box\" style=\"background-image: url(https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-018.jpg\" alt=\");\" >\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t             <\/div>\t\t\t\t\t\t\t\n\t\t\t            \t\t\t\t\t\t<div class=\"slide\">\n\t\t\t\t\t\t<div class=\"img-box\" style=\"background-image: url(https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-002.jpg\" alt=\");\" >\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t             <\/div>\t\t\t\t\t\t\t\n\t\t\t            \t\t\t    <\/div>\n\t\t<\/div>\n\t\t\t\t\n\n\n<div class=\"wp-block-columns main-post-content is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column content-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>Im Rahmen der aktuellen Ausstellungsserie Time &amp; Technology zeigt Art Laboratory Berlin die Ausstellung <\/em>Fantastic Time Machines<em><strong> <\/strong>mit neuen Arbeiten von Shlomit Lehavi und Sam Belinfante &amp; Simon Lewandowski. Die beiden Beitr\u00e4ge setzen sich mit dem Ph\u00e4nomen des zeitlichen Verlaufs, mit dem Synchronen, dem Simultanen sowie mit dem Nacheinander auseinander. Hierbei entwickeln die K\u00fcnstler besondere Formen imagin\u00e4rer Zeitmaschinen<\/em>.<\/p>\n\n\n\n<p><br><br>Die in Israel geborenen und heute in New York lebenden K\u00fcnstlerin Shlomit Lehavi, die vorwiegend in den Bereichen New Media und Mehrkanal-Video arbeitet. In ihrer Videoinstallation <em>Time Sifter <\/em>erforscht sie das kollektive Ged\u00e4chtnis, das kollektive Vergessenund das zeitbasierte Medium Video als aktuelle Zeitmaschine.<\/p>\n\n\n\n<p>\u201e<em>Time Sifter <\/em>ist ein von den Betrachtern gesteuerter Raum, der in Bildern und Sound gebettet ist\u201d, sagt Shlomit Lehavi, \u201ees geht um das Thema einer Zeit-maschine im digitalen Zeitalter. Es ist wie eine Zeitreise durch Bewegung, Raum und Klang.\u201d Die Projektionsfl\u00e4che, die einem Totempfahl \u00e4hnelt, besteht aus einer Stahlkonstruktion mit runden Holzsieben, die in Istanbul per Hand hergestellt und mit speziellem Projektionsmaterial versehen wurden. Es repr\u00e4sentiert sowohl den Mechanismus als auch die Metapher des Zeitsichtens (Zeitsiebens).<\/p>\n\n\n<div class=\"slider-box\">\n\t\t\t\t\t\t    <div class=\"content-slider\">\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-013.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-014.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-015.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-016.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-017.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-019.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-020.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-021.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-022.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-023.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-024.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Shlomit Lehavi: <em>Time Sifter<\/em>, 2008\/2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-025.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\"><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t    <\/div>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\n\n\n<p>Das von der K\u00fcnstlerin aufgenommene Videomaterial stellt die Bewegung durch den Raum an verschiedenen Orten innerhalb der letzten zehn Jahre dar. Die Wie-derholung \u00e4hnlicher Handlungen an unterschiedlichen \u00d6rtlichkeiten \u2013 Reise, Arbeit, die Rolle des Flaneurs \u2013 stellt eine Reihe von Verbindungen \u00fcber Zeit und Raum her.<\/p>\n\n\n\n<p>Die Besucher spielen eine bedeutende Rolle f\u00fcr das Funktionieren dieser Zeitmaschine: \u201eJedes Sieb l\u00e4sst sich um die eigene Achse drehen (was die Besucher entscheiden k\u00f6nnen). Jede Drehung veranlasst das Springen zum n\u00e4chsten Video; die Besucher haben somit die Kontrolle \u00fcber die Gestaltung des Raumes, die Videosequenzen und das narrative Moment. Die Arbeit <em>Time Sifter <\/em>versucht, einen Dialog \u00fcber Zeit und Raum im digitalen Zeitalter anzuregen.\u201c (S. Lehavi)<br><br><br><\/p>\n\n\n\n<p>Die neue Arbeit <em><em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em> <\/em>die die britischen K\u00fcnstler Sam Belinfante und Simon Lewandowski speziell f\u00fcr diese Ausstellung angefertigt haben. Die Installation spielt auf den Begriff <em>Kairos<\/em> als einen <em>g\u00fcnstigen Zeitpunkt<\/em> im Gegensatz zu <em>Chronos<\/em>, dem<em> zeitlichen Verlauf<\/em>,an. Im Zentrum der Installation steht ein konstruierter Mechanismus, der von den K\u00fcnstlern sogenannte <em>Time-Setter<\/em> oder <em>Chronocrator<\/em>, der versucht, die zeitliche Wahrnehmung durch das Vor- und Zur\u00fcckspielen verschiedener Maschinen zu visualisieren. Sowohl die analoge Struktur als auch die Betonung auf Bidirektionalit\u00e4t stellen moderne Konzepte eines linearen Fortschritts in Frage.<\/p>\n\n\n<div class=\"slider-box\">\n\t\t\t\t\t\t    <div class=\"content-slider\">\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-001.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-003.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-004.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-005.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-006.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-007.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-008.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-009.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-010.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-011.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t                <div class=\"slide\">\n\t\t\t                \t<div class=\"img-box\">\n\t\t\t                    <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/FTM-012.jpg\" alt=\"\" \/>\n\t\t\t                    <\/div>\n\t\t\t\t\t\t\t\t<div class=\"below-image-slide\">\n\t\t\t\t\t\t\t\t<p class=\"wp-caption caption\">Sam Belinfante &#038; Simon Lewandowski: <em>The Reversing Machine (A Theatre of Kairos and Chronos)<\/em>, 2012<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t                <\/div>\t\t\t\t\t\t\n\t\t\t            \t\t\t    <\/div>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\n\n\n<p>Dieses Palindrom ist eine k\u00fcnstlerische Reflexion \u00fcber das gegenw\u00e4rtige Leben mit seinen zahlreichen simultan gesteuerten Prozessen und sich st\u00e4ndig wiederholenden Handlungen. \u201eDas zentrale Element (das im direkten und im \u00fcbertragenen Sinne das Herzst\u00fcck darstellt) ist eine kinetische Skulptur in der Form eines Wendegetriebes, das sich selbst umkehrt und dabei verschiedene vorw\u00e4rts und r\u00fcckw\u00e4rts verlaufende Mechanismen in einer Endlosschleife antreibt.\u201c Die Getriebewelle treibt unterschiedliche Maschinen an (ein Plattenspieler, ein Diaapparat, eine sich bewegende Lampe, etc.) \u2013 und kehrt sich dann um. Dieses mechanische Palindrom f\u00fchrt wiederum zu einer Poetik der Dichotomie: an und aus, vorw\u00e4rts und r\u00fcckw\u00e4rts, laut und leise, hell und dunkel.<\/p>\n\n\n\n<p>\u201cAlles wird komplett von einem Mechanismus gesteuert, nicht auf irgendeine Weise digital kontrolliert, und ist dadurch in seiner Konsequenz v\u00f6llig transparent \u2013 und legt sowohl das <em>Was<\/em> als auch das <em>Wie<\/em> der Aktion offen.\u201d (Belinfante, Lewandowski)<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column info-sidebar is-layout-flow wp-block-column-is-layout-flow\">\n<!-- Simple Share Buttons Adder (8.5.3) simplesharebuttons.com --><div class=\"ssba-modern-2 ssba ssbp-wrap alignleft ssbp--theme-2\"><div style=\"text-align:left\"><span class=\"ssba-share-text\">Share<\/span><br\/><ul class=\"ssbp-list\"><li class='ssbp-li--facebook'><a data-site=\"facebook\" class=\"ssba_facebook_share ssba_share_link ssbp-facebook ssbp-btn\" href=\"https:\/\/www.facebook.com\/sharer.php?t=Time &#038; Technology\/ 3&u=https:\/\/artlaboratory-berlin.org\/de\/wp-json\/wp\/v2\/exhibition\/3783\"  target=_blank  style=\"color:#4267B2; background-color: #4267B2; height: 24px; width: 24px; background: #000000;\" ><span><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"#fff\" preserveAspectRatio=\"xMidYMid meet\" height=\"1em\" width=\"1em\" viewBox=\"0 0 40 40\">\n  <g>\n    <path d=\"m21.7 16.7h5v5h-5v11.6h-5v-11.6h-5v-5h5v-2.1c0-2 0.6-4.5 1.8-5.9 1.3-1.3 2.8-2 4.7-2h3.5v5h-3.5c-0.9 0-1.5 0.6-1.5 1.5v3.5z\"><\/path>\n  <\/g>\n<\/svg>\n\n<\/span><span class=\"color-icon\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"28\" viewBox=\"0 0 16 28\">\n  <path fill=\"#3B5998\" d=\"M10.7,10.7 L15.7,10.7 L15.7,15.7 L10.7,15.7 L10.7,27.3 L5.7,27.3 L5.7,15.7 L0.7,15.7 L0.7,10.7 L5.7,10.7 L5.7,8.6 C5.7,6.6 6.3,4.1 7.5,2.7 C8.8,1.4 10.3,0.7 12.2,0.7 L15.7,0.7 L15.7,5.7 L12.2,5.7 C11.3,5.7 10.7,6.3 10.7,7.2 L10.7,10.7 Z\"\/>\n<\/svg>\n<\/span><div title=\"Facebook\" class=\"ssbp-text\">Facebook<\/div><\/a><\/li><li class='ssbp-li--email'><a data-site=\"email\" class=\"ssba_email_share ssba_share_link ssbp-email ssbp-btn\" href=\"mailto:?subject=Time &#038; Technology\/ 3&body=https:\/\/artlaboratory-berlin.org\/de\/wp-json\/wp\/v2\/exhibition\/3783\"  target=_blank  style=\"color:#7d7d7d; background-color: #7d7d7d; height: 24px; width: 24px; background: #000000;\" ><span><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"#fff\" preserveAspectRatio=\"xMidYMid meet\" height=\"1em\" width=\"1em\" viewBox=\"0 0 40 40\">\n  <g>\n    <path d=\"m33.4 13.4v-3.4l-13.4 8.4-13.4-8.4v3.4l13.4 8.2z m0-6.8q1.3 0 2.3 1.1t0.9 2.3v20q0 1.3-0.9 2.3t-2.3 1.1h-26.8q-1.3 0-2.3-1.1t-0.9-2.3v-20q0-1.3 0.9-2.3t2.3-1.1h26.8z\"><\/path>\n  <\/g>\n<\/svg>\n\n<\/span><span class=\"color-icon\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"34\" height=\"28\" viewBox=\"0 0 34 28\">\n  <path fill=\"#7D7D7D\" d=\"M30.4,7.4 L30.4,4 L17,12.4 L3.6,4 L3.6,7.4 L17,15.6 L30.4,7.4 Z M30.4,0.6 C31.2666667,0.6 32.0333333,0.966666667 32.7,1.7 C33.3666667,2.43333333 33.6666667,3.2 33.6,4 L33.6,24 C33.6,24.8666667 33.3,25.6333333 32.7,26.3 C32.1,26.9666667 31.3333333,27.3333333 30.4,27.4 L3.6,27.4 C2.73333333,27.4 1.96666667,27.0333333 1.3,26.3 C0.633333333,25.5666667 0.333333333,24.8 0.4,24 L0.4,4 C0.4,3.13333333 0.7,2.36666667 1.3,1.7 C1.9,1.03333333 2.66666667,0.666666667 3.6,0.6 L30.4,0.6 Z\"\/>\n<\/svg>\n<\/span><div title=\"Email\" class=\"ssbp-text\">Email<\/div><\/a><\/li><\/ul><\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Ort<\/h4>\n\n\n\n<p>Art Laboratory Berlin<br>Prinzenallee 34, 13359 Berlin<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Datum und \u00d6ffnungszeiten <\/h4>\n\n\n\n<p>Vernissage: 23. M\u00e4rz 2012, 20 Uhr<br>24. M\u00e4rz &#8211; 30. April 2012<br>Opening Hours: Do &#8211; So, 14-18 Uhr , 30. April an 20 Uhr<\/p>\n\n\n\n<p><em>Palindrones: Musical Transpositions for the Reversing Machine<\/em><br>Performance von Sam Belinfante &amp; Simon Lewandowski. 10. Mai 2012<br><em>Experiments with the Reversing Machine.<\/em> Workshop mit den K\u00fcnstlern Sam Belinfante &amp; Simon Lewandowski: &#8222;Subjective Time: Dreams, Drones, Flickers and Alpha Rhythms&#8220; 12. Mai 2012<\/p>\n\n\n\n<p>K\u00fcnstleringespr\u00e4ch mit Shlomit Lehavi: 30. April 2012, 20 Uhr<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Kuratiert von<\/h4>\n\n\n\n<p>Regine Rapp &amp; Christian de Lutz<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Team<\/h4>\n\n\n\n<p>Regine Rapp, Christian de Lutz, Olga Shmakova, Kerstin Karge<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Fotodokumentation<\/h4>\n\n\n\n<p>Tim Deussen<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Kooperationspartner<\/h4>\n\n\n\n<p><a href=\"http:\/\/www.leeds.ac.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">University of Leeds<\/a><br><a href=\"http:\/\/www.wildpansypress.com\" target=\"_blank\" rel=\"noreferrer noopener\">The Wild Pansy Press<\/a> <a href=\"http:\/\/www.wildpansypress.com\" target=\"_blank\" rel=\"noreferrer noopener\"><br><\/a><a href=\"http:\/\/www.projectspaceleeds.org.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">PSL (Project Space Leeds)<\/a> <br><a href=\"http:\/\/itp.nyu.edu\/itp\/\" target=\"_blank\" rel=\"noreferrer noopener\">ITP, Tisch School of the Arts, NYU,<\/a> <br><a href=\"http:\/\/www.effectstoo.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Effects Too<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Medienpartner<\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"153\" height=\"100\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/aviva.gif\" alt=\"\" class=\"wp-image-6119\"\/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Unterst\u00fctzt von<\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"384\" height=\"125\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/fantastic-time-machines-log.jpg\" alt=\"\" class=\"wp-image-6117\" srcset=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/fantastic-time-machines-log.jpg 384w, https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/fantastic-time-machines-log-300x98.jpg 300w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/figure>\n\n\n\n<p>Die Serie <em>Time &amp; Technology<\/em> wurde gro\u00dfz\u00fcgig von Michael Schr\u00f6der unterst\u00fctzt<strong>.<\/strong><\/p>\n\n\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns related bg-black is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column container is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Im Kontext<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">            <div class=\"post-block\">\n                <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-1-controlling_connectivity\/\" rel=\"bookmark\" class=\"img-box h-100\" title=\"Time &#038; Technology\/ 3\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"358\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2021\/05\/TandT1Controlling-551x358.jpg\" class=\"img-fluid wp-post-image\" alt=\"\" \/>  <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/Louw-screenshot-2-551x358.jpg\" alt=\"\" class=\"img-fluid second-thumb\">\n<\/a>\t\t\n<header class=\"entry-header article-header\">\n              <a class=\"meta-info exhibition\" href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/\">\n                                Ausstellung                                <\/a><span class=\"cat\"> \n    <\/span>\n\n                   <h3 class=\"h2 entry-title mt-2\">\n                       <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-1-controlling_connectivity\/\">Time &amp; Technology\/ 1<\/a>\n                    <\/h3> \n                    <ol class=\"post-subheadings\"><li class=\"heading-level-2\">Controlling_Connectivity<\/li><li class=\"heading-level-3\">Gretta Louw<\/li><\/ol>\t                <span class=\"info-line-preview\">26. November 2011 &#8211; 15. Januar 2012<\/span>\n                  <\/header>  \n                    <p>Das Ausstellungsprojekt Controlling_Connectivity der australischen K\u00fcnstlerin Gretta Louw ist eine Reflexion \u00fcber die Nutzung neuester digitaler Kommunikationsformen. Ihre Online-Performance (2.-12. November 2011) stellt die Grundlage f\u00fcr die Ausstellung dar, in der sie Filmmaterial, Fotografien sowie eine Installation gezeigt hat<\/p>\n                    <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-1-controlling_connectivity\/\" class=\"read-more\" rel=\"bookmark\" title=\"Time &#038; Technology\/ 3\">\n                    Mehr lesen<\/a>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">            <div class=\"post-block\">\n                <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-2-navigating-the-everyday\/\" rel=\"bookmark\" class=\"img-box h-100\" title=\"Time &#038; Technology\/ 3\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"358\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2021\/05\/TandT2Navigating-551x358.jpg\" class=\"img-fluid wp-post-image\" alt=\"\" \/>  <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/planb-002-551x358.jpg\" alt=\"\" class=\"img-fluid second-thumb\">\n<\/a>\t\t\n<header class=\"entry-header article-header\">\n              <a class=\"meta-info exhibition\" href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/\">\n                                Ausstellung                                <\/a><span class=\"cat\"> \n    <\/span>\n\n                   <h3 class=\"h2 entry-title mt-2\">\n                       <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-2-navigating-the-everyday\/\">Time &amp; Technology\/ 2<\/a>\n                    <\/h3> \n                    <ol class=\"post-subheadings\"><li class=\"heading-level-2\">Navigating the Everyday<\/li><li class=\"heading-level-3\">plan b (Sophia New &amp; Daniel Belasco Rogers)<\/li><\/ol>\t                <span class=\"info-line-preview\">28. Januar &#8211; 11. M\u00e4rz 2012<\/span>\n                  <\/header>  \n                    <p>Navigating the Everyday pr\u00e4sentiert Arbeiten von plan b, des britischen K\u00fcnstlerpaars Daniel Belasco Rogers und Sophia New, und stellt ihre erste Einzelausstellung in Deutschland dar. Rogers und New haben seit 2003, bzw. 2007 ihre t\u00e4glichen G\u00e4nge per GPS aufgezeichnet, s\u00e4mtliche Bereiche ihrer digitalen Kommunikation  ausgewertet und k\u00fcnstlerisch verarbeitet.<\/p>\n                    <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-2-navigating-the-everyday\/\" class=\"read-more\" rel=\"bookmark\" title=\"Time &#038; Technology\/ 3\">\n                    Mehr lesen<\/a>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">            <div class=\"post-block\">\n                <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-4-embodiment-of-time\/\" rel=\"bookmark\" class=\"img-box h-100\" title=\"Time &#038; Technology\/ 3\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"358\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2021\/05\/TandT4Embodiment-551x358.jpg\" class=\"img-fluid wp-post-image\" alt=\"\" \/>  <img decoding=\"async\" src=\"https:\/\/artlaboratory-berlin.org\/wp-content\/uploads\/2022\/01\/Sakamoto-5-551x358.jpg\" alt=\"\" class=\"img-fluid second-thumb\">\n<\/a>\t\t\n<header class=\"entry-header article-header\">\n              <a class=\"meta-info exhibition\" href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/\">\n                                Ausstellung                                <\/a><span class=\"cat\"> \n    <\/span>\n\n                   <h3 class=\"h2 entry-title mt-2\">\n                       <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-4-embodiment-of-time\/\">Time &amp; Technology\/ 4<\/a>\n                    <\/h3> \n                    <ol class=\"post-subheadings\"><li class=\"heading-level-2\">Embodiment of Time<\/li><li class=\"heading-level-3\">Yasuhiro Sakamoto mit I\u00f1igo Giner Miranda | Dave Hebb<\/li><\/ol>\t                <span class=\"info-line-preview\">1. September &#8211; 14. Oktober 2012<\/span>\n                  <\/header>  \n                    <p>Im Rahmen der aktuellen Ausstellungsserie Time &#038; Technology zeigt Art Laboratory Berlin die Ausstellung Embodiment of Time mit neuen Arbeiten von Yasuhiro Sakamoto mit I\u00f1igo Giner Miranda und von Dave Hebb.<\/p>\n                    <a href=\"https:\/\/artlaboratory-berlin.org\/de\/ausstellungen\/time-technology-4-embodiment-of-time\/\" class=\"read-more\" rel=\"bookmark\" title=\"Time &#038; Technology\/ 3\">\n                    Mehr lesen<\/a>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Im Rahmen der aktuellen Ausstellungsserie Time &#038; Technology zeigt Art Laboratory Berlin die Ausstellung Fantastic Time Machines mit neuen Arbeiten von Shlomit Lehavi und Sam Belinfante &#038; Simon Lewandowski. Die beiden Beitr\u00e4ge setzen sich mit dem Ph\u00e4nomen des zeitlichen Verlaufs, mit dem Synchronen, dem Simultanen sowie mit dem Nacheinander auseinander.<\/p>\n","protected":false},"featured_media":3680,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"tags":[347],"class_list":["post-3783","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","tag-time-technology"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Time &amp; Technology\/ 3 - Art Laboratory Berlin<\/title>\n<meta name=\"description\" content=\"Im Rahmen der aktuellen Ausstellungsserie Time &amp; Technology zeigt Art Laboratory Berlin die Ausstellung Fantastic Time Machines mit neuen Arbeiten von Shlomit Lehavi und Sam Belinfante &amp; Simon Lewandowski. 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